| Information | |
|---|---|
| has gloss | eng: The ii V I chord progression or ii V I, also known as the dominant cadence, is a common cadential chord progression used in a wide variety of music genres, especially jazz harmony. It is a succession of chords whose roots descend in fifths from the second degree, or supertonic, to the fifth degree, or dominant, and finally to the tonic. In a major key, the supertonic (ii) triad is minor, while in a minor key, this triad is minor with a flatted 5th. The dominant chord is, in its most basic form, a major triad and, commonly, a dominant seventh chord. With the addition of chord alterations and extensions (most often sevenths), limitless variations exist on this simple formula. |
| lexicalization | eng: ii-V-I turnaround |
| instance of | c/Chord progressions |
| Meaning | |
|---|---|
| Danish | |
| has gloss | dan: II-V-I (eller 2-5-1 : "to-fem-én", også 2-5-1 rundgang eller akkordprogression) er et kort udtryk for den hyppigste og væsentligste harmoniske forbindelse og tillige et kadenceskema i den ikke-frie jazz. Romertallene refererer til 2. 5. og 1. trin i den opbyggede akkord i den anvendte toneart. |
| lexicalization | dan: II-V-I |
| German | |
| has gloss | deu: Die II-V-I Kadenz ist die häufigste Akkordverbindung in der Jazzmusik. Die Tonika kann Dur- oder Moll-Akkord sein. Der Basston bewegt sich jazztypisch im Quintfall. Die Kadenz tritt oft ohne auflösende Tonika auf. Sie kann von der klassischen Vollkadenz mit hinzugefügter Sexte auf der Subdominante abgeleitet werden. |
| lexicalization | deu: II-V-I |
| Italian | |
| has gloss | ita: La progressione II V I è una successione di accordi caratteristica di molte forme musicali, molto usata soprattutto nelle composizioni jazz. Le lettere rappresentano (in numeri romani) gli accordi presenti, cioè secondo grado minore, quinto maggiore (di dominante) e primo maggiore (tonica). |
| lexicalization | ita: Progressione ii V I |
| Dutch | |
| has gloss | nld: De II-V-I-verbinding is de meest gebruikte verbinding in de jazzmuziek. Deze verbinding is functioneel gelijk aan zijn klassieke tegenhanger, de IV-V-I-verbinding. De II is een subdominantvervanging, de V (of V7) is de dominant en de I de tonica. |
| lexicalization | nld: II-V-I |
| Polish | |
| has gloss | pol: Dwa-pięć-jeden, II-V-I, kadencja jazzowa - podstawowa kadencja w muzyce jazzowej (występująca jednak również w harmonii rozrywkowej i klasycznej). Oznaczenia "dwa", "pięć" i "jeden" odnoszą się do stopni, na których zbudowane są poszczególne akordy kadencji. |
| lexicalization | pol: Dwa-pięć-jeden |
| Media | |
|---|---|
| media:img | 251progressie.png |
| media:img | Fifths.png |
| media:img | I II7 IIm7 V7 I Chord Progression.png |
| media:img | IIVI1.PNG |
| media:img | Ii-V-I classical and jazz.png |
| media:img | Ii-V-I turnaround in C.png |
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