| has gloss | eng: In music, especially folk and popular music, a matrix is an element of variations which does not change. The term was derived from use in musical writings and from Arthur Koestlers The Act of Creation, who defines creativity as the bisociation of two sets of ideas or matrices. Musical matrices may be combined in any number, usually more than two, and may be — and must be for analysis — broken down into smaller ones. They may be intended by the composer and perceived by the listener, or they may not, and they may be purposefully ambiguous. , depending on the degree to which they are connected to each other or go their separate ways, respectively, and are more or less easy to reconcile. The matrices of the larger matrix known as sonata rondo form are more bound up than the matrices of rondo form, while African and Indian music feature more rhythmic at-oddness than European musics coinciding beats, and European harmony features more at-oddness (between the melody and bass) than the preceding organum. At-oddness is a matter of degree, and almost all at odd matrices are partially bound up. |
